Babel: Worldbuilding in the Age of AI

Research / Worldbuilding · Harvard GSD, MIT · 2026

How do you pitch an idea in the age of AI? By building the world around it. Worldbuilding as a medium, tested through Babel.

Shared fictions

Currency, nations and brands are shared fictions. Worlds that enough people agreed to believe in. They run everything, and building them used to take institutions, generations, sometimes empires.

For the first time, one person can prototype a believable world from a laptop.

Two digital turns

Two digital turns explain how. The internet turned the designer from creator into curator. Every reference one click away, so selection became the skill. AI turns the curator into an orchestrator. The computer was a calculator, now it guesses. Creating means steering probability through prompts, images and references.

Tools change weekly. But the frameworks beneath them don't.

3 frameworks for designers

Watch: Pace as context: feeds trained everyone's attention, so design now lands on minds that expect more, faster.

Watch: Nature as metaphor: generative models work like evolution, improvising new outputs from existing material, randomness included.

Watch: Evolution as constant: no version of the world is final, every artifact is one generation in a lineage.

The premise

Babel is the case study, a science fiction analogy of the hyperconnected world we already live in. Screens are everywhere, so what if you could walk through them? An AGI invents the portal. A megacorporation called Babel turns it into infrastructure. Two portals, same size, same type, tuned to each other. One continuous space.

The first rules, worked out on paper. Portals as a box or a whole house, notes on playing with gravity and weather.
The first rules, worked out on paper. Portals as a box or a whole house, notes on playing with gravity and weather.
The premise at domestic scale: one room with two doorsteps.
The premise at domestic scale: one room with two doorsteps.
Portals across a market street in a near-distant future.
Portals across a market street in a near-distant future.

Early years

The early years cover Babel's adoption phase, modeled on how real infrastructure spreads. A luxury first, institutional later, domestic last. Building this stage meant deciding who gets access first, where the first gates go, and how daily life reorganizes around them. Every new technology arrives twice: first as news, then as routine.

Babel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AI
Portals start as public transport, bridging distances inside national borders.
Portals start as public transport, bridging distances inside national borders.
Allied governments make diplomatic gestures at monumental scale, which are really demonstrations of technological strength. Lady Liberty returns to Paris.
Allied governments make diplomatic gestures at monumental scale, which are really demonstrations of technological strength. Lady Liberty returns to Paris.
Seaports and airports lose their reason to exist. Highways and railways adapt to a network that connects Beijing and Sao Paulo instantly.
Seaports and airports lose their reason to exist. Highways and railways adapt to a network that connects Beijing and Sao Paulo instantly.
Physics becomes something the inhabitants of this world can set.
Physics becomes something the inhabitants of this world can set.
Space and time become adjustable, and their relativity is something you can feel.
Space and time become adjustable, and their relativity is something you can feel.

Watch: Time zones, climates, ecosystems and national borders blur. For architecture, that is where the design questions start.

Watch: What if the light in an interior came from a sun in another hemisphere? What does it mean to design without corridors, staircases or elevators?

Watch: What if you could make it rain inside a building by connecting a portal to another latitude? What if the backyard were in the tropics?

Watch: Once the technology is mastered it moves from public to private. The elites get balconies with fantastic views. All they have to do is buy one, or just rent it.

For a few, where to live and work becomes unlimited. It could come down to the economy, the climate, or simply taxes.
For a few, where to live and work becomes unlimited. It could come down to the economy, the climate, or simply taxes.
Babel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AI

Babel, Inc.

Babel is branded like a real company. Name, logo, tone of voice, slogan. Technology that brings the world closer. Infrastructure becomes real the day it starts advertising to you, so the world tells its story through commercials.

Watch: First Steps, Babel's launch film, scripted and produced in the company's corporate voice.

Practical worldbuilding

A world proves its rules when you can use them. Babel extends past film into software. A launch site, and Traveler's, a portal route planner running as a real mobile web app. Every screen is a policy decision. Who travels, who gets tracked, what stays restricted.

Watch: The launch site, vibecoded as a teaser the company itself would ship. [See the landing page](https://brunomarsino.com/work/babel/babel-landing-page/)

Watch: Traveler's, recorded from the working build. Search a destination, compare risk ratings, get a gate and a boarding window, clear biometrics.

Babel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AI

Watch: The storefront, reconstructed as an explorable 3D world. [Walk through the Babel station](https://marble.worldlabs.ai/worldvr/e74acb6e-d457-4c35-8b26-ea2f7ed626ce)

Behind the scenes

The world came together in two weeks. References came first, setting what Babel should look and feel like down to lenses and lighting. Then the pipeline. ComfyUI running Hunyuan image-to-video with LoRAs for film, Flux and SDXL for stills, Wan and LTX in the mix, LLMs for lore and scripts.

The theory board: research and revision run with LLM agents, Gemini and ChatGPT, before any visuals existed.
The theory board: research and revision run with LLM agents, Gemini and ChatGPT, before any visuals existed.
The reference board, deliberately AI-free: ad language studied from Meta and OpenAI commercials, lens and lighting decided before generating a single frame.
The reference board, deliberately AI-free: ad language studied from Meta and OpenAI commercials, lens and lighting decided before generating a single frame.
Moodboard for the stations: small pods holding the portals, imagined before they became commodities.
Moodboard for the stations: small pods holding the portals, imagined before they became commodities.

Watch: The first ad concept: the chaos of physical space against the serenity of stepping somewhere else.

The concept was cut and earned its keep anyway. This is where the shots learned to feel natural and the AI slop look got engineered out.
The concept was cut and earned its keep anyway. This is where the shots learned to feel natural and the AI slop look got engineered out.
Babel: Worldbuilding in the Age of AI

Where it goes

In January 2026 the thesis ran as a course, a J-Term session at Harvard GSD, later adapted into a lecture at SCI-Arc. Babel keeps growing alongside it. The Home Portal commercial is scripted, and a publication and a graphic novel are underway at MIT. Care is the only thing that scales. Craft is the only thing that cuts through. [Watch the full lecture](https://www.youtube.com/watch?v=NikRIwtW_Ws&feature=youtu.be)

Babel: Worldbuilding in the Age of AIBabel: Worldbuilding in the Age of AI

The framework

The course hands over a framework anyone can reuse. Define the world's rules. Encode its values spatially. Iterate through AI-assisted media. Curate the outcomes into arguments. Four steps, any genre, any scale.
The course hands over a framework anyone can reuse. Define the world's rules. Encode its values spatially. Iterate through AI-assisted media. Curate the outcomes into arguments. Four steps, any genre, any scale.